Charging like a tusked brute, gnawing like a bear

1. Flannery O'Connor on "Living with a peacock". If, like me, you had forgotten about O'Connor somewhat, this is a useful reminder of how good she is. It is hard to know what to excerpt but here is one bit:

Frequently the cock combines the lifting of his tail with the raising of his voice. He appears to receive through his feet some shock from the center of the earth, which travels upward through him and is released: Eee-ooo-ii! Eee-­ooo-ii! To the melancholy this sound is melancholy and to the hysterical it is hysterical. To me it has always sounded like a cheer for an invisible parade.

Also, here is the video of the v. young O'Connor and the backward-walking chicken. (Via Sean Costello.) Here is a stunningly ugly bird that is not a peachicken but will do:

And finally, in the spirit of "parallel passages," compare Flannery O'Connor's peacock description to Geoffrey Hill's ("his fulgent cloak a gathering of the dark" &c. Oh, and also (postultimately?), there is Robert Lowell on her face, "formless at times, then very strong and young and right."

2. "Anatiferous trees" in Browne. I really should find a copy of Pseudodoxia and read it through.

3. "Deep in clear lake / The lolling bridegroom, beautiful, there."

4. "Forest Service may blow up frozen cows" (via clusterflock, I suspect).

5. Amy Clampitt's poem "Thermopylae," which was new to me, and where the post title is from.

(I found the Clampitt while looking around -- unsuccessfully -- in her work for chapter epigraphs for the thesis, which was dispatched earlier today to the committee.)

Swimming and glasses

From Alan Hollinghurst's novel The Folding Star:

Part of the misery of swimming was that you couldn't do it in glasses; the surrender to cold water followed immediately on the surrender to a world of vague distances and confused identities, and as I stood squinting down the lanes in the dim hope of picking out Matt's dark head I had a moment's foretaste of the fears of the old, as you see them smiling anxiously against imagined threats and half-heard ridicule. [...] The showers were functional and fierce, a yellow-tiled room with six fixed nozzles and high up in one wall a narrow strip of meshed window that could be tugged open by a chain. I was amazed to pick up, through the crash of the water and the suck and wheeze of the drain, the putter of a boat's engine and a brief reek of burnt fuel. A canal must lie just outside, perhaps lapping against the very walls of the bath.

The first part of this resonated very strongly with me; I've been very nearsighted as long as I can remember, and (being messy and clumsy and lazy besides) have never been comfortable with the idea of contacts.

(Blogging has been v. light lately; I've been too preoccupied with job-seeking for my own good, but have finally managed to distract myself to some extent with work...)