Thawglass

I have been reading John Burnside's book Black Cat Bone; I'll be posting more about it, but for now: (1) here, qua teaser, are some bits that are available online: "Late Show", "Nativity" and "Loved and Lost" (the latter has a wonderful ending), the long narrative poem "The Fair Chase", "Notes Towards an Ending", and "Pieter Brueghel: Winter Landscape with Skaters and Bird Trap, 1565". (2) Burnside is very good; he is one of those obsessive airless writers without much scenic range -- I am reminded most powerfully of Charles Wright (also, but mostly by coincidence, of Joyce Carol Oates); Burnside often uses the late-Wright trick of starting a poem with a stage-direction line like "Night" -- whose interests are fashionably liminal. There is a lot of dawn/birth/spring ("the trees emerging, piecemeal, from the cold"), a blur of intimations-of-the-otherworldly, and a wealth of headlights. (3) The real point of this post is to note a lovely word that, as far as I can tell, Burnside made up; it appears in the closing lines of this book:

this is the time of year
when nothing to see
gives way to the hare in flight, the enormous

beauty of it stark against the mud
and thawglass on the track, before
it darts away, across the open fields

and leaves me dumbstruck, ready to be persuaded.

The meaning is fairly obvious -- I won't embarrass myself with a paraphrase, but will recall this -- and it is the sort of word that ought to be a word, but I cannot locate any uses outside of Burnside's poems. (There is another, earlier poem with "a litter of small gold apples, newly fallen, / wet with thawglass.")

A slabbed-down mass of tabbage

1. Robert Walser's story "Good morning, Giantess" (NYRB classics tumblr). I esp. liked this:

Cold and white the streets lie there, like outstretched human arms; you trot along, rubbing your hands, and watch people coming out of the gates and doorways of their buildings, as though some impatient monster were spewing out warm, flaming saliva. You encounter eyes as you walk along like this: girls’ eyes and the eyes of men, mirthless and gay; legs are trotting behind and before you, and you too are legging along as best you can, gazing with your own eyes, glancing the same glances as everyone else.

Cf. Chaucer:

 Hold up thy tayl, thou Sathanas!' quod he;
`Shewe forth thyn ers, and lat the frere se
 Where is the nest of freres in this place!'
 And er that half a furlong wey of space,
 Right so as bees out swarmen from an hyve,
 Out of the develes ers ther gonne dryve
 Twenty thousand freres on a route,
 And thurghout helle swarmed al aboute,
 And comen agayn as faste as they may gon,
 And in his ers they crepten everychon.

2. Puritan names. Going around on the internet, but e.g. Helpless Henley, Wrestling Brewster, Faithful Teate, Magnyfye Beard, and Unfeigned Panckhurst are almost reusable.

3. John Burnside's poem "The Good Neighbor." (Previously noted: "Late Show.") Burnside won the T.S. Eliot prize this year, annoyingly the new book isn't out in the US yet, but there's a Kindle edition (!), which I suppose I'll have to buy.